Read the Line From Hamlet Cited in Shakespeare: the World as Stage. Barnardo: Who's There?

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What can we learn from Hamlet's soliloquies? — What can we learn from Hamlet'due south soliloquies?

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Shakespeare's soliloquies give the reader, or the audience, the opportunity to witness what is going on in a character'due south mind. While these soliloquies are, of class, spoken by the characters, they offer the reader some insight into Shakespeare's concerns about the human condition.

Soliloquies Covered in This Article

Act 1. Scene ii: 'Oh that this too solid mankind would cook...'
Act two. Scene 2: 'Now I am lone. O, what a rogue and peasant slave am I!...'
Human activity 3. Scene i: 'To be, or not to be...'

Hamlet's Soliloquy, Act i. Scene Ii

O, that this also as well solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, dried, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
Just two months dead: nay, not then much, not ii:
So first-class a rex; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might non beteem the winds of heaven
Visit her face besides roughly. Heaven and globe!
Must I call back? why, she would hang on him,
As if increment of appetite had grown
By what it fed on: and nevertheless, within a month--
Allow me not think on't—Frailty, thy proper name is woman!—
A picayune month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:—why she, fifty-fifty she—
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer—married with my uncle,
My father's brother, just no more like my begetter
Than I to Hercules: within a month:
Ere yet the table salt of almost unrighteous tears
Had left the flushing in her galled optics,
She married. O, most wicked speed, to mail
With such dexterity to incestuous sheets!
It is not nor it cannot come to adept:
But break, my heart; for I must hold my tongue.

Analysis of Hamlet's Soliloquy, Act 1. Scene 2

This soliloquy begins with Hamlet desiring death, saying, 'this too solid mankind would melt', but this desire comes coupled with the fear that God does not condone 'cocky-slaughter'. This reveals that Hamlet is feeling melancholic. It'southward possible that he is suffering from depression. Apart from desiring suicide, he besides states that he is finding the world 'weary, stale, flat and unprofitable'. This is more proof that Village is depressed. However, low does not come absent other emotions.

Every bit we read further, nosotros observe that Hamlet'south depression leads to bitterness and cloy. This is well-nigh credible when Hamlet describes the globe as 'rank', 'gross', and 'unweeded'.

Village's growing sense of melancholy and disgust is a result of two horrific events. First, his father, the king, died less than two months prior to Hamlet's soliloquy. Hamlet is grieving for his father, whom he honoured and loved, comparing him to 'Hyperion'.

Second, his mother, who should be sharing his grief, has betrayed his needs and his father'south memory. She has historic a hasty and unseemly wedlock to the old king's brother, Claudius. Hamlet's distress and disgust are illustrated in his comment, 'a beast that wants of reason would accept mourned longer'. Here, we meet that Hamlet feels every bit though his mother has sullied his father's retentiveness saying, 'Frailty, thy proper name is adult female'. The thing torments him so much that he tin inappreciably bear to consider it. 'Must I retrieve?' he asks in desperation, then he says, 'Allow me not think on't'.

He is non only shocked and upset by the haste with which his mother has decided to remarry, just he is too disgusted past the hubby she has called. Because she marries her dead husband'southward brother, Claudius, Village believes that she is committing incest. Hamlet dislikes Claudius, whom he compares to a 'satyr'. Village despises being called Claudius'due south 'son'. While he agrees to 'obey' his mother's wishes, he mocks Claudius's irritating comments. It is obvious that Hamlet cannot stomach seeing Claudius in such a high position of power.

It is likely that he may also feel that his own place has been usurped. He has non inherited his father's crown, simply rather, it is now worn by Claudius. This renders Hamlet powerless. Hamlet is convinced that this unfortunate situation 'cannot come to good', just feels impotent. How can Hamlet lead his country and honor his male parent's death when such a malicious buffoon sits on the throne?

He feels depressed, suicidal, fearful, regretful, grief-stricken, aroused, disgusted, betrayed, frustrated, confused and impotent. His thoughts are of death and decay. This speech indicates the level of negativity to which Hamlet has fallen. He is haunted by his begetter'due south decease, tormented past his mother'southward marriage to Claudius, and infuriated by his inability to change either event.

Hamlet's Soliloquy, Act 2. Scene Two

At present I am lonely.
O, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could strength his soul so to his own conceit
That from her working all his visage wann'd,
Tears in his eyes, lark in's attribute,
A cleaved voice, and his whole function suiting
With forms to his conceit? and all for aught!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I accept? He would drown the stage with tears
And cleave the full general ear with horrid speech,
Make mad the guilty and appal the costless,
Confound the ignorant, and amaze indeed
The very faculties of optics and ears. Nonetheless I,
A tedious and dingy-mettled rascal, summit,
Like John-a-dreams, unpregnant of my cause,
And tin say nothing; no, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate beyond?
Plucks off my bristles, and blows it in my face?
Tweaks me past the nose? gives me the lie i' the throat,
Every bit deep as to the lungs? who does me this?
Ha!
'Swounds, I should have information technology: for it cannot exist
Only I am pigeon-liver'd and lack gall
To brand oppression bitter, or ere this
I should have fatted all the region kites
With this slave'south offal: encarmine, bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an donkey am I! This is nearly brave,
That I, the son of a beloved father murder'd,
Prompted to my revenge by sky and hell,
Must, similar a whore, unpack my heart with words,
And fall a-cursing, like a very drab,
A scullion!
Fie upon't! foh! About, my brain! I have heard
That guilty creatures sitting at a play
Have by the very cunning of the scene
Been struck so to the soul that soon
They have proclaim'd their malefactions;
For murder, though it take no tongue, will speak
With most miraculous organ. I'll accept these players
Play something like the murder of my father
Before mine uncle: I'll observe his looks;
I'll tent him to the quick: if he but cringe,
I know my course. The spirit that I accept seen
May be the devil: and the devil hath power
To assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me: I'll have grounds
More relative than this: the play 's the thing
Wherein I'll catch the conscience of the rex.

Analysis of Hamlet'southward Soliloquy, Act 2. Scene Two

This soliloquy illustrates Hamlet's continued inability to do anything of consequence. He lacks the noesis of how to remedy the pain caused by his nowadays circumstances, and so he wonders how an thespian would portray him, maxim, '[he would] drown the stage with tears'. 1 has to presume that this is what Hamlet wants to do, and what he feels his father'south death deserves, yet he is unable to reply in this style. He wonders if he is a coward, since he does not 'cleave the full general ear with horrid spoken language' or 'make mad the guilty and appal the costless'. He asks, 'who calls me villain?', but the only person speaking is himself. At this point, he is accusing himself of villainy for not speaking on behalf of his dear, recently-deceased, father.

Village's Soliloquy, Act 3. Scene I

To be, or not to be: that is the question:
Whether 'tis nobler in the mind to endure
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a slumber to say nosotros cease
The middle-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to exist wish'd. To dice, to sleep;
To sleep: mayhap to dream: ay, at that place's the rub;
For in that sleep of death what dreams may come
When we accept shuffled off this mortal curlicue,
Must give us pause: in that location's the respect
That makes cataclysm of then long life;
For who would bear the whips and scorns of fourth dimension,
The oppressor's incorrect, the proud man's contumely,
The pangs of despised honey, the law'south delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus brand
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than wing to others that nosotros know not of?
Thus censor does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale bandage of idea,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of activeness.

Analysis of Hamlet's Soliloquy, Human activity three. Scene I

Hamlet's 3rd soliloquy is the famous 'to be, or not to exist' speech. Once over again Hamlet is confused and contemplating death. He is wondering whether life or death is preferable; whether it is better to let himself to be tormented by all the wrongs that he considers 'outrageous fortune' bestowed on him, or to arm himself and fight against them, bringing them to an end. If he were to die, he feels that his troubles, his 'center-ache', would cease. Death is still something that he finds highly-seasoned, 'tis a consummation devoutly to be wished'. All the same, even death troubles him, as to die might mean to dream and he worries nearly the dreams he might take to endure, 'in that sleep of decease what dreams may come'.

He is yet contemplating suicide and considers how, by taking one'due south own life, with 'a bare bodkin', or dagger, i might avoid 'whips and scorns' and other hard-to-bear wrongs. However, he refers to death every bit 'the dread of something' in the 'undiscover'd country', and this shows that he worried about how his soul might be treated in the afterlife.

He decides that fears concerning the puzzling and 'dreadful' afterlife, together with the censor, cause people to bear the wrongs inflicted during their life on earth, rather than commit suicide and risk offending God. The fright of arriving somewhere unknown and frightening—possibly the torments of hell—is proof that 'censor does make cowards of the states all'. People, he concludes, tend to call up things over, lack resolve and do zilch.

When Hamlet is remarking on such people, he is really talking about himself. He believes that his uncle is wicked and deserves to die. He believes that it is he who should end his uncle's life. Simply he is afraid of going to purgatory, as the spirit claiming to be his father has done. He is afraid of risking hell by committing suicide. He is afraid of doing the incorrect affair, and is inactive, partly because of his conscience. He is agape of the potential consequences that his religious upbringing—an upbringing that would have been the norm—claim would come if he commits suicide.

Hamlet continues to feel frustrated and angry in his grief, and his feelings of impotence have returned. Although Claudius's response to the play indicated guilt, Hamlet still does non know what the right matter to do is—correct in the eyes of God, that is.

Similarities in Hamlet's Three Soliloquies

All iii speeches illustrate a man, confused and wracked by grief, wanting revenge, but not knowing how to go almost responding to what has happened. He is uncertain of his own feelings and how to cope with them. He feels weak, melancholic and powerless. He does not know what the right thing to do is, or how to do it. In all three soliloquies, Hamlet is struggling to brand sense of his overwhelming grief.

Modern Adaptations of "Hamlet"


Accommodation	Year Released
"The Panthera leo King"	1994
"Strange Brew"	1983
"Ophelia"	2018
"Let the Devil Wear Black"	1999
"Khoon Ka Khoon"	1935
"Strange Illusion"	1945
"The Bad Sleep Well"	1960

Nifty Actors Preforming 'To Exist or Non to Be'

Though the words remain the same, I experience that different actors and directors may bring different interpretations, and, of grade, different qualities, to the soliloquies.

Some of the greatest actors in the world accept portrayed Village, and nosotros are lucky that many of their performances have been recorded. Here are a few of those cracking performances.

What Is a Soliloquy?

Soliloquy (noun): an act of speaking one's thoughts aloud when alone or regardless of hearers, especially in a play.

Shakespeare's soliloquies are written in blank poesy of unparalleled multifariousness, invention and rhythmic flexibility. This technique is suggestive of the rapidly irresolute moods of their speakers. You'll notice that the soliloquies appear when a speaker is on the verge of madness, vengeance, or heartache.

Who Was Shakespeare?

Born: April 1564

Died: April 23, 1616

Spouse: Anne Hathaway

Home: Stratford-upon-Avon, United Kingdom

Bio: Shakespeare was an English poet, playwright and histrion, who was widely regarded as both the greatest writer in the English language and the world's greatest dramatist. He is often referred to as England'due south national poet, or the "Bard of Avon." His works consist of approximately 39 plays, 154 sonnets, 2 long narrative poems, and a few other verses. His plays have been translated into every major living language and are performed more often than those of any other playwright.

Shakespeare produced his works between 1589 and 1613. His early plays were usually comedies and histories. They are regarded equally some of the best work ever produced in these genres. After this, until about 1608, he wrote generally tragedies. These included Hamlet, Othello, King Lear, and Macbeth, all of which are considered to be amongst the finest works in the English language language. In the last phase of his life, he wrote tragicomedies (also known as romances). He also began collaborating with other playwrights.

Why Is "Hamlet" Such a Famous Play?

Start performance: 1609

Genre: Tragedy

Setting: Kingdom of denmark

Village has been adapted into, or has inspired, hundreds of other plays, books, and movies. The play has stood the exam of time due to its powerful moral themes and its maddening existential questions.

Characters: Claudius, Gertrude, Polonius, Horatio, Ophelia, Laertes, Fortinbras, The Ghost, Rosencrantz And Guildenstern, Osric, Voltimand And Cornelius, Marcellus And Bernardo, Francisco, Reynaldo

Morality in Hamlet: Throughout the play immoral acts event in death and a bike of the demand for revenge. One graphic symbol deems avenging his male parent a moral action and in doing so he creates a cycle of expiry. Many lives are lost in the pursuit to commit a moral act.

Greek philosophy in Hamlet: On the surface, Hamlet contains the elements of a classic revenge tragedy. However, the themes run much deeper, alluding to philosophical musings by Aristotle and Socrates. The play is similar a greek tragic drama wherein a character's tragic flaw causes a catharsis in an audience.

Influence on Existentialism: Hamlet is called to choose and create his identity or essence or self because human being, co-ordinate to existentialism, has no fixed nature. This freedom of pick entails commitment and responsibleness. Therefore, he is caused smashing anguish.

Breakdown of Main Characters in "Hamlet"


Character	Description
Ophelia	Ophelia is a grapheme in William Shakespeare'southward drama Hamlet. She is a young noblewoman of Denmark, the daughter of Polonius, sis of Laertes, and potential wife of Prince Village.
King Claudius	King Claudius is a fictional character and the main antagonist of William Shakespeare's tragedy Village. He is the blood brother to King Village, second husband to Gertrude and uncle and after stepfather to Prince Village.
Polonius	Polonius is a character in William Shakespeare's Hamlet. He is chief counsellor of the rex, and the begetter of Laertes and Ophelia.
Laertes	Laertes is a character in William Shakespeare's play Hamlet. Laertes is the son of Polonius and the brother of Ophelia. In the final scene, he kills Hamlet with a poisoned sword to avenge the deaths of his begetter and sis, for which he blamed Hamlet. While dying of the same poison, he implicates Rex Claudius
Horatio	Horatio is a graphic symbol in William Shakespeare's tragedy Village. Horatio'southward origins are unknown, although he was present on the battleground when Hamlet's father defeated 'the ambitious Norway', Fortinbras, and attended Wittenberg University with Prince Village.
Fortinbras	Fortinbras is either of two small-scale fictional characters from William Shakespeare'due south tragedy Hamlet. The more notable is a Norwegian crown prince with a few brief scenes in the play, who delivers the final lines that represent a hopeful futurity for the monarchy of Kingdom of denmark and its subjects.
Rosencrantz and Guildenstern	Rosencrantz and Guildenstern are characters in William Shakespeare'southward tragedy Hamlet. They are childhood friends of Hamlet, summoned by King Claudius to distract the prince from his apparent madness and if possible to define the cause of information technology.
Ghost of Hamlet's Father	The ghost of Hamlet's father is a character from William Shakespeare's play Hamlet. In the stage directions he is referred to as "Ghost". His proper noun is also Hamlet, and he is referred to as Rex Hamlet to distinguish him from the Prince.

Principal Themes in "Hamlet"

Madness: Does Hamlet truly go "mad," or is it all an human activity? What lines of thought are within our control and which are not?
Revenge: The play isn't nigh Hamlet'south ultimately successful vengeance for his begetter'southward murder at all. Instead, most of the play is concerned with Hamlet's inner struggle to accept activity. The play is more interested in calling into question the validity and usefulness of revenge.
Mortality: From Hamlet's initial confrontation with a dead man'south ghost, to the final sword fight and bloodbath, the play is trying to come to grips with merely the question: if we all die eventually, so does information technology really thing who kills u.s.a.?
Lies and Deceit: Hamlet depicts a scandalous political world, where deception is a necessary role of life. It's no wonder why directors seem to recall it's infinitely adaptable: deceit isn't express to 1 time or identify.

Amazing Quotes in "Hamlet"


Character	Quote
Hamlet	"To dice, to sleep - To sleep, perchance to dream - ay, there'south the rub, For in this sleep of death what dreams may come..."
Hamlet	"There are more things in Heaven and Globe, Horatio, than are dreamt of in your philosophy."
Polonius	"Though this be madness, however there is method in't."
Polonius	"Brevity is the soul of wit."
Claudius	"One may smiling, and smile, and be a villain. "
Hamlet	"God hath given y'all ane confront, and you make yourself some other."
Hamlet	"I must be roughshod only to be kind; Thus bad begins, and worse remains behind."
Queen Gertrude	"So total of childlike jealousy is guilt, It spills itself in fearing to be spilt."
Polonius	"Dubiousness k the stars are fire; Doubt that the lord's day doth move; Doubt truth to exist a liar; But never doubt I love ."
Village	"To exist or not to exist that is the question."

More than 'Village' Articles From Trish_M (Tricia Bricklayer):

Hamlets Last Long Soliloquy (How all occasions practice inform against me) - Analysis and Commentary
Shakespeare'south Hamlet and his 'Foils' - Fortinbras and Laertes.
Shakespeare's Village - The Sources of Hamlet's Tragedy

Gerald on Jan 28, 2020:

This play hv helped me in my literature studies... shakespeare was an ultimate genius

manar on December 23, 2018:

Great endeavour

Tricia Mason (author) from The English Midlands on October 04, 2012:

Hi Linda :)

It's astonishing that 'Hamlet' tin can withal be so gripping, later on several centuries!

Linda Cassini from Las Vegas NV on October 03, 2012:

Oh I love Hamlets writing and am coming back to visit your commodity for more scenes... :) thnx 4 sharing

Tricia Bricklayer (author) from The English language Midlands on September 22, 2012:

Hi Music-and-Art-45 :)

Very pleased to take inspired y'all! :)

I agree with you. 'Hamlet' gives u.s. more than with every reading.

Music-and-Art-45 from USA, Illinois on September 21, 2012:

I enjoyed your analysis of Hamlet's soliloquies. I read this play a few years agone, and accept been pregnant to re-read it since, I think this hub merely inspired me. Yous become something different out of information technology every fourth dimension.

Tricia Stonemason (author) from The English Midlands on May 26, 2012:

Hello Anju Arya :)

Thanks.

I am pleased that you enjoyed it and found it helpful :)

Anju Agarwal from India on May 26, 2012:

Great, So much deliverance then difficult work. Really appreciable. I take read a few about Village in school course but now this data will help me in my poetry creation. Thank you a lot my friend.

Tricia Mason (writer) from The English Midlands on May 17, 2012:

"Thus conscience does brand cowards of u.s.a. all"

Shishunki Miman Okotowari on May 16, 2012:

the undiscovered land from whose bourn

no traveller returns,puzzles the volition

amd make us rather bear those sick we accept

and wing to others that we know not of?

thus coward does make of us all;

Tricia Mason (author) from The English Midlands on Oct 03, 2011:

Hello Collegatariat :)

Thanks very much for your kind words. I find that there is always something new to discover in 'Village'.

collegatariat on Oct 03, 2011:

Great assay! I first read Hamlet when I was fifteen and didn't understand a great deal of it, only this makes me want to re-read information technology and find all the wonderful nuances that it holds.

Tricia Mason (author) from The English Midlands on June 20, 2011:

Howdy emichael ~ That's fine! Thank y'all. I'll postal service a link to yours!

emichael from New Orleans on June 20, 2011:

Hello once more :)

I just finished a Hamlet hub (https://hubpages.com/literature/The-Office-of-Provid... ), and I referenced a few of yours in it. I hope that is OK :)

I await forrard to hearing your thoughts.

Tricia Mason (author) from The English Midlands on May 24, 2011:

Hi emichael :)

Thank yous for your annotate ~ and I concur with you. Hamlet is helpless, it seems.

As for Male monarch Lear, I haven't read it, yet, I'm agape, but information technology sounds really proficient, and I shall try to read it soon. I think that I would enjoy information technology.

emichael from New Orleans on May 24, 2011:

Hamlet is i of my all time favorites. I relish your examination here. Village'south inaction in the play fascinated me when I starting time read it. Yous want him to practise something-to put some action behind all the things he is feeling. But getting within his caput through these soliloquies, you feel just as stuck as he does. It'due south astonishing what Shakespeare can reach with these speeches.

Have you read King Lear? It is my favorite of his tragedies. I'd be interested to see a hub from you lot on that one.

Tricia Mason (author) from The English language Midlands on April ten, 2011:

Thank yous for that information, Stessily :)

stessily on April x, 2011:

Trish: I totally agree that David Tennant is a vivid Village. I admire Derek Jacobi, and I hate to say this merely his Village is not one of my favorites; I thought that he was admittedly amazing in Richard III. In fact, I admire the work of all of the above Hamlets, but David Tennant's "to exist or non to be" seems to have the most range in information technology. I think that I would be impressed with Daniel Day Lewis' delivery of that touchstone soliloquy but alas! (I try not to repeat negative information but evidently D D Lewis could not complete the performance because Village's grief over his father's death in the play opened up D D Lewis' grief over the death of his own male parent and their rather queasy human relationship.)

Once again thank you and then much for this hub.

Tricia Stonemason (writer) from The English Midlands on Apr 10, 2011:

Hi Stessily :)

I hadn't heard that about D D Lewis.

I idea that David Tennant was a brilliant Hamlet.

stessily on Apr 10, 2011:

It'south interesting in the "to exist or non to be" videos to compare the nuanced performances of these highly respected actors. The one performance that I still wish could be recorded would be by Daniel Day Lewis. I've oftentimes idea of him equally the perfect Hamlet, even though I know that he famously left the phase during that play and never reprised the role.

Tricia Mason (author) from The English Midlands on March 22, 2011:

How-do-you-do MMPG :)

Thank you for your annotate!

Yep, in that location is always something new in Shakespeare.

And yep, that is, indeed, the question :)

MMPG on March 22, 2011:

Peachy assay of the soliloquies. Shakespeare offers such complex and insightful views of humankind--no place better, I recall, than Village. One of my favorite speeches is Act 2, Scene 2:

"What a piece of piece of work is a human being, how noble in reason, how

space in faculties, in form and moving how express and

beauteous, in action how like an angel, in apprehension how like a god! The beauty of the world, the paragon of animals—and withal, to me, what is this quintessence of dust?"

What a great question: "what is this quintessence of dust?" Nosotros've speculated for and so long on this question and its so perfectly phrased here.

Thank you for the hub; always relish Hamlet.

Tricia Mason (author) from The English language Midlands on December 30, 2010:

I took English language lit A'level last year and I really enjoyed it. That led to quite a few Shakespeare hubs ~ specially 'Village' ones. :)

Adela Rasta from Dublin, Ireland on December 30, 2010:

Fantastic analysis. My kid is studying Hamlet for her Leavning Cert (Irish equivalent of A Levels) then I will making her read this hub for sure!

Tricia Mason (author) from The English Midlands on October 27, 2010:

Thank you cdub77.

I'll accept a look at your 'Hamlet' hub ~ sounds interesting! :)

cdub77 from Portland Or on Oct 26, 2010:

Bully assay of Hamlet. I too liked the inclusion of the video examples. I published a hub today discussing the linguistic creativity of Hamlet. Excited to read more of your literary hubs!

tarenorererwithir.blogspot.com

Source: https://owlcation.com/humanities/Shakespeares-Hamlet-What-do-the-soliloquies-reveal-about-Hamlets-true-feelings-and-thoughts

Tarenorerer Withir