St Petersburg Repin National Academy of the Fine Arts
History
The Russian Academy of Arts , informally known equally the Leningrad Academy of Arts, was founded in 1757 by Ivan Shuvalov nether the name University of the Three Noblest Arts. Catherine the Slap-up renamed it the Imperial Academy of Arts and commissioned a new edifice, completed 25 years later in 1789 by the Neva River. The academy promoted the neoclassical manner and technique, and sent its promising students to European capitals for further study. Training at the university was virtually required for artists to brand successful careers.
Formally abolished in 1918 subsequently the Russian Revolution, the academy was renamed several times. Information technology established gratis tuition; students from across the country competed fiercely for its few places annually. In 1947 the national institution was moved to Moscow, and much of its art collection was moved to the Hermitage. The building in Leningrad was devoted to the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture, named in honor of one of Russian federation's foremost realist artists. Since 1991 information technology has been called the Leningrad Institute for Painting, Sculpture and Architecture.
Since its foundation the University has been the largest art educational institution and i of the about important scientific centers in Russia. For well-nigh ii and a half centuries the Academy has been promoting the traditional and classical art of Russia and plays a key part in the preservation of its native way.
Present Days
Today at that place are more than 700 students during the day and over 500 attending evening courses at the University. About 100 professors, associate professors, and 60 teachers teach at the University. The Academy has 5 faculties:
- Fine Art
- Graphic Arts
- Sculpture
- Architecture
- Art Theory and History
Museum
The Museum of the Russian Academy of Arts is one of the oldest fine arts collections in St. Petersburg. Information technology was founded in 1758 in the reign of Empress Elizabeth to provide young artists with a possibility to larn from the best works of fine art. I.I. Shuvalov, the initiator and outset curator of the University (established in 1757), presented as a gift his private collection of paintings including canvases by Raphael, Veronesdue east, Rubens and other masters that became a core of the Museum collection.
Afterwards, many members of the Majestic family unit regularly enriched the collection. Catherine the Not bad donated cartoons for monumental frescos of the Vatican Library made by A. Mengs, noted creative person of the 18th century and a big collection of models of antique architectural monuments executed past A. Keekee in the 18th century. Emperor Nicholas I purchased for the Academy large copies from Raphael'south frescos in the Vatican every bit well as copies from the Italian Renaissance masters' paintings made by renowned artists such equally K. Bryullov and F. Bruni. Being the President of the Academy Not bad Duchess Maria besides contributed to the Museum collection past a number of canvases and a unique drawing past D. Bossi – copy of the "Last Supper" by Leonardo da Vinci.
Count North. Kushelev-Besborodko's collection, which he bequeathed to the Academy in 1862, was 1 of the nigh remarkable acquisitions of the Museum that contained 466 paintings and 29 sculptures past European and Russian masters including Peter Bruegel the Elder's "Adoration of the Magi", "The King is Drinking" by J. Jordans, "Christ in the Crown of Thorns" by Peter Paul Rubens, as well as paintings by the famous French artists Delacroix, Millet, Corrot, Rousseau and others.
The Museum received a lot of gifts from artists. The French sculptor Due east. Falconet, who was commissioned to blueprint a statue to Peter the Great in St. Petersburg, donated to the Museum some of his sculptures and many casts and works of French masters. More than 160 drawings were donated to the Academy by L. de Lorren, 190 drawings were a gift from 50. Lagrenet.
Due to the significance of the Academy emphasized by the Russian emperors it was an honour to exist elected its honorary member. Each new elected fellow member had to present his portrait to the Academy. As a outcome, the Museum houses a large portrait gallery of the Academy's presidents and honorary members from the 18th century. Amid its first honorary members were M Duke Paul (Petrovitch), Count A. Stroganov – President of the Academy in 1800-1811; Count Thousand. Orlov; Count A. Shuvalov, Count N. Panin, Duke A. Golitsyn.
After the 1917 Revolution a huge office of the Museum collection was transferred to many other museums and libraries of the Soviet Spousal relationship, such as the Hermitage, the Russian Museum and many others.
The present Museum exposition, occupying three floors of the concentric edifice, begins in the hall of casts. Nearly 3000 exhibits are located on the kickoff floor too as in the main rooms of the University. Lobbies, halls, galleries, staircases of the building serve equally an exhibition infinite for paintings, replicas of antiquarian sculptures, reliefs, Roman vases and other works of art, thus creating a remarkable atmosphere of submergence in arts.
The drove of sculptures gives an opportunity to trace the history of sculpture from ancient Egypt to the 18th century. Containing casts of original antiquarian and Western-European sculptures made in the belatedly 18th – early 19th centuries, it can not exist rivaled by any other collection of sculptures in Russian federation. On display are works of L. Bernini, B. Torwaldsen, A. Moderatti and other artists.
Library
The Library of The Russian Fine Arts Academy is the oldest fine art library in Russian federation. During the starting time decades of the Library's existance many important books on painting, sculpture and architecture and on adjacent and subsidiary brunches of art such equally beefcake, perspective and so on were acquired by the Library. Today the library houses editions from the XVIth, XVIIth and XVIIIth centuries, some of them are with the monogram and the coat of arms of the founder of The Arts University Ivan Shuvalov. Many old books are the remarkable examples of Russian and Westnern European polygraphic art.
Exhibitions
There are two exhibition halls, one chosen "Raphael", the other "Titian". The reason behind this is the fact that each individual hall displays frescos of these two fantastic artists. Temporary exhibitions are by and large held in that location, such every bit the "Exhibition of Diploma works" and the "Exhibition of the University professors", every bit well as personal exhibitions past Russian artists and professors of the Academy.
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